“No’m, I aint tellin’ no lies. It de gospel truf”: Historical Memory and the Slave Narrative Collection
by Sarah Whitwell How the past is remembered is as much a subject of historical inquiry as what transpired inContinue Reading
Year: 2020
In Praise of Illegibility: Identification, Failure, and Joel Parsons’s Beholding and Being Held
The body is more than just the instrument through which we can resist; how we understand the body itself offers a site of resistance.
Peripeteia: Meditation on Hegemonic Iconoclasm
We seek not to be trivial adornments of achievements or static shelf pieces—we seek liberation over soulless applause.
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As activist-historians, we understand that Black Brown Indigenous People of Color (BBIPOC) have faced and continue to face violence, marginalization,Continue Reading
Come Unity: Activism in the Virtual Realm
“Come.Unity” serves as a gathering place for Black optimism, fostering a Black future without Black death at its end but an end with joy—a communal victory dance.
Curating Political Fellowship at the Intersections between Music and Activism
Any cultural production is in and of itself a political act.
Peripeteia: A Poem
“Invite my hands into yours despite our legs being drawn away from each other Othered.”
Move, Dance, Talk, Resist
For immigrant women to dance and expose themselves through movement is a political act of resistance.
Zol er Krenken un Gedenken (May he Suffer and Remember)
Our productions are acts of queer Yiddish world-building.
Switch: Consent and Gender Non-Conformity in Social Partner Dancing
Fusion-as-Activism is political project that centers gender non-conformity and consent by transmuting these political beliefs into aesthetic and actively enforced social values.
The Activist History Review 