This project is in many ways about illuminating hitherto unexplored dimensions of history and how to use it to shape our present and our futures. It is an intervention into the contemporary art world as a queer artist, an art historian of the African-diaspora, and a practicing occultist implementing the performative rituals and myths of witchcraft.
With its Islamic Revolutionary Guard Corps blacklisted, Iran responded in kind, classifying United States Central Command as a terrorist organization. In the midst of a buildup of U.S. military in the Gulf, President Rouhani indicated Iran’s willingness to return to its previous program to develop nuclear arms. Where will this lead? Ancient history provides an illuminating—if unsettling—perspective.
In our current moment, as the Trump administration daily wields federal power to attack immigrant communities and workers’ rights, these kinds of community-driven struggles and organizations serve as a bulwark protecting families and empowering workers to make change where they live and work.
The Trump administration’s immigration policies have invited numerous comparisons to nineteenth-century regulations of enslaved persons. These comparisons will continue so long as the state retains the power to circumscribe a person’s mobility and employment opportunities through the policing of their legal status.
Usually it is the Left that is stereotyped as tyrannical with its political correctness and assertions of rights, according to the standard Republican line. But really, it’s Trump coming for people’s land, stampeding over rights, and ignoring public opinion.