The Future is Another Country
Radical Documentary and Global Crisis feels both like a much-needed acknowledgment of the significant work so many activist filmmakers have put forth in the modern age and at the same time, a call for more activist, “radical” filmmaking in the years to come.
Artists, like protestors, disrupt existing ways of viewing the world to reimagine our lives around truth, goodness, and beauty.
Museums hold the potential to privilege the perspective and lived experience of those who have been historically silenced or omitted altogether, both human and nonhuman.
The body is more than just the instrument through which we can resist; how we understand the body itself offers a site of resistance.
Our productions are acts of queer Yiddish world-building.
By positioning themselves as moral actors, these citizen photographers challenge existing power relations.
This interactive art exhibit explores how the movement of affluent people to a few wealthy zip codes nationally affects income inequality.
Beaumont Kin is a good example of how those within the profession should embrace the activist historian mantle in our own time and in our own, very real world.
TAHR seeks essays that explore the role of socially-engaged art (including visual arts, music, dance, ritual, digital arts etc.) in protest movements and other forms of grassroots direct action
The Activist History Review