People who lived in communities destroyed by urban renewal and gentrification frequently frame their narratives about displacement as theft. They see their homes, businesses, and churches as stolen by capitalism. Spaces for the dead are among those stolen and erased.
White backlash was never limited to the southern states. Vast and sudden changes after 1865—especially implied by the prospect of emancipating four million black people—stirred ugly counterattacks and racial backlash against the nation’s free black northern population.
Life and cultural expectations in East Texas continue to promote segregation in both personal and social relationships. Although white supremacist marches like the one in Charlottesville grip American headlines, neo-Nazis and Klansmen supporting the same doctrine in the open are not uncommon behind the Pine Curtain.
By his own admission, film creator Gottlieb was able to spend most of his life in Silver Spring shielded from the community’s past that included widespread discrimination in the community’s businesses, public buildings, and housing. Even after completing the film, Gottlieb appears to have learned little about the substantial role racism played in shaping his community.