The Future is Another Country
Radical Documentary and Global Crisis feels both like a much-needed acknowledgment of the significant work so many activist filmmakers have put forth in the modern age and at the same time, a call for more activist, “radical” filmmaking in the years to come.
Our beginnings in Trump point to the need for an increasingly engaged scholarly community.
Beaumont Kin is a good example of how those within the profession should embrace the activist historian mantle in our own time and in our own, very real world.
The anti-racist protests of the Kerner Commission reveal that if structural racism can be overcome in U.S. democracy, the moral weight of white supremacy must be eradicated otherwise democratic protest will forever be read as a threat.
Elena Gonzales: Anti-racist curatorial work is of particular urgency now.
Hawks traces one example from her own research on the Freedom Train to highlight an antiracist approach to researching and writing history.
The Activist History Review invites proposals for our September 2019 issue, “Antiracism in America.”
The Activist History Review invites proposals for our August 2019 issue, “Strike!: Labor Conflict in Higher Education”
Death Wore a Diadem’s editorial in particular is rich in its detail. It records the labours of care and attentiveness performed by a feminist publisher, to an act of lesbian historical narrative creation, itself written in a thoroughly genre-fiction mode.
Emphasis on organizing along lines of difference as a collective has caused organizations in the South and Appalachia to experience violent backlash.
The Activist History Review